Of course I loved this book. Read what Kirkus says (they loved it, too!)
An idealistic young American heads for the Soviet Union in 1934,
with consequences that reverberate through three generations in Krasikov’s
ambitious and compelling first novel (One More Year: Stories, 2008).
The grim saga of Florence Fein’s education in the realities of
Soviet life is punctuated by her son Julian’s sardonic first-person account of
his return to Moscow in 2008 to facilitate an American-Soviet oil project,
during which he also takes jaundiced looks back at his fraught relationship
with his mother. Julian, one of the disenchanted Soviet Jews allowed to
emigrate in the late 1970s, has never really forgiven Florence for her stubborn
loyalty to the brutal police state that murdered her husband, sent her to a
labor camp, and stuck their son in state orphanages. Julian is equally
judgmental about his son, Lenny, an expatriate venture capitalist in Moscow who
fancies himself “a cowboy on the frontiers of private enterprise,” while Julian
bitterly finds capitalist Russia as corrupt and repressive as its Soviet
predecessor. Krasikov skillfully intertwines multiple narratives and time
frames in a sweeping drama that is both a touching affirmation of the enduring
bonds of family and a searing examination of the ghastly moral quandaries faced
by the subjects of a totalitarian state. Her American passport confiscated,
terrified by the threats of the secret police, Florence is reduced to informing
on friends and colleagues; the chapters chronicling her experiences in the
gulag bring to life a horrific world in which survival is the only goal but
also give her an opportunity to make amends for her betrayals. The once-secret
police files Julian unearths in Moscow teach him to judge his mother more
gently and admire her resourceful manipulation of her oppressors; he even
emulates some of her tactics to protect Lenny from the threat posed by a
sinister Russian “vice-president of corporate security.”
We do the best we can in an imperfect world, Krasikov reminds us
in a dark tale brightened by tender compassion for human frailty.
